Like Logan Square, you can see several of the city’s best-loved outdoor sculptures in Rittenhouse Square. The dramatic Lion Crushing a Serpent by the French Romantic sculptor Antoine-Louis Barye is in the central plaza. Originally created in 1832, the work is Barye’s allegory of the French Revolution of 1830, symbolizing the power of good (the lion) conquering evil (the serpent). This bronze cast was made about 1890.
At the other end of the central plaza, within the reflecting pool, is Paul Manship’s Duck Girl of 1911, a lyrical bronze of a young girl carrying a duck under one arm – an early work by the same sculptor who designed the Aero Memorial for Logan Square. A favorite of the children is Albert Laessle’s Billy, a two-foot-high bronze billy goat in a small plaza halfway down the southwest walk. Billy’s head, horns, and spine have been worn to a shiny gold color by countless small admirers.
In a similar plaza in the northeast walkway stands the Evelyn Taylor Price Memorial Sundial, a sculpture of two cheerful, naked children who hold aloft a sundial in the form of a giant sunflower head. Created by Philadelphia artist Beatrice Fenton, the sundial memorializes a woman who served as the president of the Rittenhouse Square Improvement Association and Rittenhouse Square Flower Association. In the flower bed between the sundial and the central plaza is Cornelia Van A. Chapin’s Giant Frog, a large and sleek granite amphibian. Continuing the animal theme, two small stone dogs, added in 1988, perch on the balustrades at the southwest corner entrance.